Countless other characters pass in and out of this rare charmer without much fanfare, but thanks towards the film’s sly wit and fully lived-in performances they all leave an improbably lasting impression.
To anyone familiar with Shinji Ikami’s tortured psyche, however — his daddy issues and severe doubts of self-worth, not to mention the depressive anguish that compelled Shinji’s real creator to revisit The child’s ultimate choice — Anno’s “The End of Evangelion” is nothing less than a mind-scrambling, fourth-wall-demolishing, soul-on-the-monitor meditation within the upside of suffering. It’s a self-portrait of an artist who’s convincing himself to stay alive, no matter how disgusted he might be with what that entails.
It’s easy to be cynical about the meaning (or absence thereof) of life when your task involves chronicling — on an annual basis, no less — if a large rodent sees his shadow in a splashy event placed on by a tiny Pennsylvania town. Harold Ramis’ 1993 classic is cunning in both its general concept (a weatherman whose live and livelihood is determined by grim chance) and execution (sounds lousy enough for sooner or later, but what said day was the only working day of your life?
“The top of Evangelion” was ultimately not the top of “Evangelion” (not even close), but that’s only because it allowed the series and its author to zoom out and out and out until they could each see themselves starting over. —DE
The climactic hovercraft chase is up there with the ’90s best action setpieces, and the top credits gag reel (which mines “Jackass”-level laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan set himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble while in the Bronx” there was no turning back. —DE
A married person falling in love with another man was considered scandalous and potentially career-decimating movie fare while in the early ’80s. This unconventional (in the time) love triangle featuring Charlie’s Angels
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“Acknowledge it isn’t all cool calculation with you – that you’ve got a heart – even if it’s small and feeble and you may’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan jav hd (Gabriel Byrne). And for all its steely violence, this film has a heart as well.
A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second film found the 28-year-previous directing with the swagger of the young porn star in possession of the massive
It didn’t work out so well with the last girl, but what does Advertèle care? The hole in her heart is almost as large as the hole between her teeth, and there isn’t a man alive who’s been able to fill it to date.
Tailored from the László Krasznahorkai novel roxie sinner of the same name and maintaining the book’s dance-influenced chronology, Béla Tarr’s seven-hour “Sátántangó” tells a Möbius strip-like story about the collapse of the farming collective in post-communist Hungary, news of which inspires a mystical charismatic vulture of a person named Irimiás — played by composer Mihály Vig — to “return from the lifeless” and prey about the desolation he finds among the desperate and easily manipulated townsfolk.
More than just a breakneck look inside the porn marketplace since it struggled for getting over the hump of home video, “Boogie Nights” is really a story about a magical valley of pornktube misfit toys hotmail sign up — action figures, to be specific. All of these horny weirdos have been cast out from their families, all of them are looking for surrogate relatives, and all of them have followed the American Dream towards the same ridiculous place.
And nevertheless, on meeting a stubborn young boy whose mother has just died, our heroine can’t help but soften up and offer poor Josué (Vinícius de Oliveira) some help. The child is quick to offer his have judgments in return, as his gendered assumptions feed into the combative dynamic that flares up between these two strangers as they travel across Brazil in search with the boy’s father.
Many films and TV series before and after “Fargo” — not least the Forex drama encouraged via the film — have mined laughs from the foibles of stupid criminals and/or middle-class mannerisms. But Marge gives the original “Fargo” a humanity that’s grounded in respect for your simple, good people with the world, the kind whose constancy holds Modern society together amid the chaos of pathological liars, cold-blooded murderers, and squirrely fuck-ups in woodchippers.